ICANN Registrar: Not available This shows the company who handled the registration of this domain.
It's a number that represents the identification and location of a website. IP Address:107.180.39.236 IP Addresses are similar to physical addresses.PageRank also considers the importance of each page that casts a vote, as votes from some pages are considered to have greater value, thereby giving the linked page a greater value. Pages that Google search engine believes are important receive a higher PageRank and are more likely to appear at the top of the search results. Google Pagerank: Not ranked/Not available Google PageRank reflects the importance of web pages by considering more than 500 million variables and 2 billion terms.Quantcast Rank: Not ranked/Not available The Quantcast rank is a measure of thefacebar.la's popularity.This rank is calculated using a combination of average daily visitors and pageviews from thefacebar.la over the last 3 months. The lower the rank is, the more popular the website is. Alexa Rank: Not ranked The Alexa rank is a measure of thefacebar.la's popularity.The Teller House painting was the inspiration for a chamber opera titled The Face on the Barroom Floor by Henry Mollicone. She lived at 1323 Kalamath st, Denver, Co The actual subject of the painting is Davis' wife Edna Juanita (Cotter) Davis "Nita". They advertised the painting as that from the poem " The Face on the Barroom Floor" by Hugh Antoine D'Arcy. Whatever the inspiration, Davis did not sign his work, and soon the bar's owners chose to capitalize on it. Jimmy held a candle for me and I painted as fast as I could.
After midnight, when the coast was clear, we slipped down there. Still the idea haunted me, and in my last night in Central City, I persuaded the bellboy Jimmy Libby to give me a hand. They refused me permission to paint the face. But the hotel manager and the bartender would have none of such tomfoolery. In its mining boom heyday it was just such a floor as the ragged artist used in d’Arcy's famous old poem. I stayed at the Teller House while working up there, and the whim struck me to paint a face on the floor of the old Teller House barroom.
The Central City Opera House Association hired me to do a series of paintings and sketches of the famous mining town, which they were then rejuvenating as an opera center and tourist attraction. The upshot of the fight was that Davis was told to quit, or else he would be fired.Īccording to one version of the story, the painting was the suggestion of a busboy named Joe Libby knowing that Davis would soon be fired, he suggested that the artist "give them something to remember by". One afternoon at the bar he became embroiled in a heated argument with Ann Evans, the project director, about the manner in which his work should be executed. Davis had been commissioned by the Central City Opera Association to paint a series of paintings for the Central City Opera House he was also requested to do some work at the Teller House.